Short listed for the 2018 Ted Hughes Award
Combining poetry with the long essay, 'Thirty Ways of Looking at the Sea', which charts her involvement with the Marine Conservation Society as resident poet as they launched an appeal to tackle the threats facing thirty marine species, Words the Turtle Taught Me sees Susan Richardson writing at the height of her powers as a poet, an ecological campaigner and as a writer about the process of composing inventive, compelling poems.
Susan Richardson's work is a suspended state, caught between the us we presume to be and the species with which we share this watery, fragile planet. Cut and precise, archaic and innovative, transcendent and in-the-moment, she sees the life of the sea as a mirror of ourselves, and vice versa: always changing, always the same.
Philip Hoare, author of Leviathan & The Sea Inside
Richardson is adept at mixing wit with sorrow … [and believes] that creating beauty through artistic endeavours is an act of defiance against 'the ugliness of human-induced extinction.' … Words The Turtle Taught Me is a clarion call on behalf of the ocean and its creatures. It will appeal to those who are involved with marine conservation, but also others, like me, who are new to the subject.
Maria Apichella, New Welsh Review, Review 19, February, 2019
The collection is illustrated by Pat Gregory.
Some rare, endangered Sundays, my mother
would let me unlatch her jewellery box
and pick one piece to wear. Didn't bother
with the gold, oval locket holding locks
of my balding father's hair, the red fox
brooch, or the bracelet with charms whose luck dried
up in The Drought: chose the shell with the shock
of the tiny seahorse confined inside.
Tried not to mind it had wrongfully died,
tried to believe I could rightfully hear
mermaids flirting, cod-song, waves of Beside
the Seaside when I pressed it to my ear.
Wearing it triggered an uneasy wish —
Please let me always feel free as a fish.
Susan Richardson is a poet, performer, educator and editor, whose three previous collections, Creatures of the Intertidal Zone, Where the Air is Rarefied and skindancing were published by Cinnamon Press. In addition to her recent residency with the Marine Conservation Society, she is currently poet-in-residence with the global animal welfare initiative, World Animal Day. Susan has performed at festivals throughout the UK, for organisations such as WWF and Friends of the Earth, on BBC 2, Radio 4 and at universities both nationally and internationally. She co-edits Zoomorphic, the digital literary magazine that publishes work in celebration and defence of wild animals.